Another favored artist included in the Great German Art Exhibit was Ivo Saliger, whose Judgment of Paris (1939), depicted the Greek myth… but with a twist. Contemporary viewers see Saliger’s canvas as nothing more than an academic painting, an exercise in classical figurative realism - yet the work is an ideological diatribe. Saliger portrayed Paris dressed in a Hitler Youth uniform as he decided upon the most beautiful example of Aryan womanhood. Again, a difficult question arises - that of identifying the ideology inherent in images placed before us. If I had not revealed to you the story behind Saliger’s painting, would you have identified the artwork as implicitly fascist? ...

Kathy was so sexy, she even walked seductively, her ass
moving gently side to side as she walked ahead of him.
They walked across the parking lots to Lafollette and
on past it to her building. She punched the button for
the elevator and the doors opened almost instantly. She
walked in and he followed. When the doors closed, she
slid her arms around him and looked up into his eyes.

Gently he bent his head down and softly touched his
lips to hers. Her mouth was soft and sweet and it was
only a few seconds before she opened her mouth and slid
the tip of her tongue into his. He was shaking from
being so nervous, but Kathy's gentle French kiss seemed
to calm him some. He gently raised his hand toward her
breast, but stopped short when the elevator door began
to open.

She led him to the stairs and then down the hall to her
room. She quickly unlocked the door and ushered him in.
The room was dark, except for one small lamp on her
desk. She quickly turned him around and continued their
kiss from the elevator. Kathy's tongue was less gentle
this time and seemed to desire more from him than
before. He slid his tongue a little further into her
mouth and she moaned from the pleasure...